I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.
I'm an emotional creature. I make music to express that.
This is no different than what happens at the Skull and Bones initiation. I'm talking about people having a good time, these people, you ever heard of emotional release? You ever heard of the need to blow some steam off?
Leftists put in these emotional, illogical, and irrelevant terms, and they make people's hearts melt, "He's so wonderful. He cares about people." And so you get open borders, you get open borders in Europe. And, by the way, it's always a one-way street. Why are refugees incapable of shelter and love and compassion in their own countries? That's a good question.
Emotional roller coasters tend to emphasize the lows, tend to be more affected by the low, by the dip in an emotional roller coaster than when you are at the peak.
How much of what people say in politics is for the moment, meant for the moment, meant only to satisfy an emotional demand or requirement of the moment, but it is not really sincere? My view of people in politics is that most of what they say is not sincere during campaigns about other Republicans.
Sentimentality is the emotional promiscuity of those who have no sentiment.
My brands are an extension of me. They're close to me. It's not like running GM, where there's no emotional attachment.
Abstract art has helped us to experience the emotional power inherent in pure form.
While a particularly deft sense of irony may be one of the tools of great storytellers, I think it's also true that if irony serves as a retreat from an emotional engagement that you're overly concerned is uncool, that's a failure of nerve.
The last thing I want is that sense of artifice - rather I want the reader drawn into the story and lost in it and vested in it. So the emotional connection is everything, albeit a connection on my terms.
Out of the house and on my own, I faced the fact I didn't much like who I was. I didn't like my judgmentalism; I didn't like my absolutism. I didn't like my repression of natural empathy, my pinched lack of emotional generosity. How I had been thinking politically had less to do with what was wrong with the world and more to do with what was wrong with me, with my fears and insecurities, failings, weaknesses.
What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.
I damaged all the complicated bits of the brain to do with processing and emotional control. I was prey to every single emotion that swept over me and I couldn't deal with it. I had to re-learn things from scratch.
Feelings take you into uncharted territory from time to time it's true, but you almost always benefit from the journey one way or the other. We tend to think of the rational as a higher order, but it is the emotional that marks our lives.
If the state, with all of the emotional resources at its command, cannot finance its most basic and vital activities without resort to compulsion, it would seem that large private organizations might also have difficulty in getting the individuals in the groups whose interests they attempt to advance to make the necessary contributions voluntarily.
The true critic is he who bears within himself the dreams and ideas and feelings of myriad generations, and to whom no form of thought is alien, no emotional impulse obscure.
The real weakness of England lies, not in incomplete armaments or unfortified coasts, not in the poverty that creeps through sunless lanes, or the drunkenness that brawls in loathsome courts, but simply in the fact that her ideals are emotional and not intellectual.
Faithfulness is to the emotional life what consistency is to the life of the intellect - simply a confession of failures.
I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.
A sentimentalist is simply one who desires to have the luxury of an emotion without paying for it.
Sinclair B. Ferguson
The foundation of worship in the heart is not emotional ("I feel full of worship" or "The atmosphere is so worshipful"). Actually, it is theological. Worship is not something we "work up," it is something that "comes down" to us, from the character of God.
Sinclair B. Ferguson
The foundation of worship in the heart is not emotional...it is theological.
In fact, I am so happy to be turning 40 and finally having a reason to take responsibility for my own behavior. It's also worked for me in terms of my physical appearance and emotional make-up and people entrusting me to bring the things a role deserves. I don't know whether that's depth or being a curmudgeon or what.
I read "Milk" and immediately I was very emotional after reading it and then I saw the documentary - the one that Rob Epstein did - and I said that's it. I saw it with my daughter and that was it. This thing is a different thing. It's like I've been offered these kind of superhero movies or "Terminator" or whatever those movies are and I just go ahh.
Michael J. Silverstein
Functional goods sold en masse earn a good return but breakthrough profits come from satisfying emotional needs.
Social rejection doesn't just cause emotional pain; it affects our physical being.
Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.
Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
I do not wear my emotions on my sleeve. I was once described by my own son Stephen as an emotional ostrich.